NEXT

STUCK³

KIKUCHI Kazuaki

2026 3/18wedー3/28sat
PM 12-7(Last day until PM5)
Open: Wednesday, Thursday, Friday, Saturday  

Placeholder image

DM



Kikuchi creates machines that demand an excessive amount of labor utterly disproportionate to their output, and by operating them himself, he has turned the very act of producing images reminiscent of canonical works from art history into artworks in their own right. The machines, made of iron and stainless steel, are so heavy and solid that a single adult would struggle to lift them. While they resemble industrial machine tools in appearance, in reality they are astonishingly inefficient devices that impose severe physical labor. In a contemporary society that prioritizes results and efficiency, Kikuchi deliberately presents such seemingly nonsensical actions as works of art.
In this exhibition, Kikuchi turns back in time to the Northern Renaissance of the 15th century and the Baroque period of the 17th century, presenting new works based on motifs from three paintings.
This summer, Johannes Vermeer’s Girl with a Pearl Earring will come to Japan and be exhibited at the Nakanoshima Museum of Art, Osaka, attracting considerable attention. As is well known, this painting has had an unusual and eventful history. After Vermeer’s death in 1675, it was put up for auction and passed through numerous owners over nearly two centuries. In an 1881 auction, it was sold for the remarkably low price of 10,000 yen, and following the purchaser’s death, the work was donated to the Mauritshuis.
Taking this painting as a point of departure, along with Diego Velázquez’s Las Meninas and Jan van Eyck’s The Arnolfini Portrait, the exhibition features the Ultra-Close-Up Series, which depicts the images that would (presumably) be visible when a viewer approaches the picture plane at eye level and at extremely close range. Also included are works from the series Practice for Zero Gravity, created by drawing on steel plates using “iron brush holders,” as well as other two-dimensional, three-dimensional, and video works.
On Saturday, March 21, a performance is scheduled in which he will operate one of his own machines.

+1art



KIKUCHI Kazuaki

KUCHI Kazuaki

Born in Kyoto Prefecture in 1993. Completed an MFA at Kyoto City University of Arts in 2018.
He produces images quoted from art history using self-made devices that operate through intense physical exertion.

more

Solo exhibitions
2022 “Create,” +1art, Osaka
2021 “CUT,” The Third Gallery Aya, Osaka
2021 “Draw,” +2, Osaka
2020 “Draw a Circle,” The Third Gallery Aya, Osaka
2019 “Muscle,” The Third Gallery Aya, Osaka
2014 “Surfaces Existing Inside a Box,” Gallery Cube, Seian University of Art and Design, Shiga

Selected Group Exhibitions(2017〜)
2025 “Chronoscape | Accumulated Time, Continuing Actions,” Seian University of Art and Design, Shiga
2025 “KANSAI ART ANNUAL 2025 CO,” Shinsaibashi PARCO, Osaka
2024 “While feeling,” /+1art, Osaka
2022 “Meta MALL “Alter” Ichiba vol.03” BnA Alter Museum, kyoto
2021 “LUMINE meets ART AWARD 2020-2021,” tunning Lure Show Window, Lumine 2, Lumine Shinjuku, Tokyo
2020 “Kyoto Art for Tomorrow 2020,” The Museum of Kyoto
2018 “Borderless,” Art Museum NO-MA, Shiga
2017 “Young Artists Support Project 1floor: The Pragmatic Futility Theory,” Kobe Art Village Center, Hyogo

Awards
2021 LUMINE meets ART AWARD 2020–2021, Grand Prize Winner
2020 Kyoto Art for Tomorrow 2020、Excellence Award

Placeholder image

【Close-Up Series】 From left: Vermeer, Girl with a Pearl Earring; Velázquez, Las Meninas; Jan van Eyck, The Arnolfini Portrait Acrylic on canvas, 400x400x50mm 2026


Since I had the chance, I decided to observe the stuck mud closely. I looked at it up close, drew lines, and checked its weight. In any case, I was going to be stuck here for a while, so I decided to take my time. Gradually, I started to get goosebumps here and there; my skin felt stretched, my body began to lift, and I lost track of front and back.
Feeling the weight of the mud, I somehow managed to move my body and scoop it out. After a while, a new patch of mud formed next to me, and I found myself hoping someone would get stuck there.


Placeholder image

《Practice for Zero Gravity #1 – Iron Brush Holder》Iron H90x75x75mm 2026





+2

Held concurrently

3/25 wedー4/04 sat Repetition & Letting Go / SUZUKI Maiko ▶︎